More information on Ochre’s site here: http://ochremusic.com/2011/08/01/early-learning-now-available-for-download/
Get the album here: http://ochre.bandcamp.com/album/early-learning

First draft

Work-in-progress thread, including snapshots of the production at various stages:
http://www.zbrushcentral.com/showthread.php?t=82693

+ if you haven’t heard it — http://ilkae.bandcamp.com/
Support what you love or else it may cease to exist

NKS3 is a custom tool palette built for Adobe Photoshop CS4 using Adobe Configurator. The purpose of NKS3 is to provide a fast and realistic natural media drawing experience within the Adobe Photoshop environment by facilitating an excellent array of custom-built tools in a compact, centralized palette.

NKS3 is not aimed at creating fast or cheap effects, but at providing universal, quality tools that can be used in any number of situations, but primarily geared for concept designers, industrial designers, illustrators, and general sketch making.

The NKS3 palette is divided into 5 sections, broken down as follows:

Document Utilities
1. New Document: opens a new document, fills the background with a hi-res scan of a sketch pad, locks the layer, creates a new layer for drawing, notches on the left and bottom edge are aligned at 1/4″ increments with the documents grid
2. Color Bar: intended for use within a document created via. the ‘New Document’ tool; loads a complimentary color bar into a locked layer for sampling
3. Rotate 90°: rotates the current document 90° clockwise
4. Flip Horizontal: flips the current document horizontally

Natural Media Tools:
1. Lead, Sharp: newly tipped lead
2. Lead, Dull: used and dull lead
3. Lead, Blue: 0.7mm Pentel Blue lead
4. Ball Point: standard issue ball point pen
5. Ball Point, Dirty: very well used ball point pen
6. Ink Pen: standard issue gel-ink pen, with slight falloff from ink buildup
7. Ink Brush: hard-edge, dynamic brush
8. Stipple 1: single-dot stipple tip, for feathering
9. Stipple 2: multi-dot stipple tip, for main shading
10. Marker, Round: round-tipped marker, based on Copic N1
11. Marker, Wedge: wedge-tipped marker, based on Copic N1
12. Grease: grease pencil
13. Bristles: simple comb-tipped brush with falloff
14. Pastel: soft, crayon tip
15. Spray Paint: wide, noisy spray paint (no drips, sorry)
16. Wash: light, pigment build-up tool
17. Water: dirty water

Texturing Tools:
1. Grain: fine grain
2. Grit: fine grain with chunks and rubbish
3. Fibers: wide paper fiber
4. Banana: organic texture, sampled from a scan of banana skin
5. Powder Coat: basic powder coat texture

Blending Tools:
1. Blend, Fast: finger-paint with scatter
2. Blent, Fine: click-hold, and agitate quickly across desired path
3. Smedge: could also be a ‘smoke’ brush, blends but also drops an initial splotch of paint

General Utilities:
1. Glow: basic dodge brush with feathered nozzle
2. Radial Gradient: gradient tool, set to radial, foreground -> transparent
3. 1px Line: basic line tool for drawing out guides

Due to Adobe Configurators inability to support embedded images or customizable text, NKS3 dynamically loads it’s skin from the internet. This is done in order to use pixel-type and keep the palette footprint as small as possible. If you’re trying to use it on a machine that is not connected, the UI will not load. If you’d like an offline version, please send me a mail.

In addition to the new NKS panel, I suggest everyone check out Anastasiy’s custom color picker panel for Photoshop. Check out his site here.

Installation instructions included in the zip.
NKS3 is a freeware offering, and is compatible with Adobe Photoshop CS4, on Mac OS or Windows machines.

>Download NKS3

(ZIP 11.6 MB) (Right-click + Save-As)

If you’re using Adobe Photoshop CS5, please download the updated version here.

NKS3 by NKURENCE is licensed under a Creative Commons Attribution-Share Alike 3.0 United States License.

The entire text of Miyamoto Musashi’s ‘A Book of Five Rings’ set into a graphical poster. The poster is divided into five sections, Earth, Water, Wind, Fire and Void, matching the structure of the book. Each chapter of the book is set within it’s own element. The poster is set with varying weights of Univers at 11 points on an 11 point baseline. 27″ x 36″ on a 192 gsm matte finish paper.

Send $30 USD Paypal to (nreeves@tracewerks.com), subject ‘Five Rings’, with a postal address if you’d like one.

A higher-res version of the poster can be seen here.

The greatest opportunity to increase speed in anything is by approaching the most common/repeated tasks and looking for ways to reduce the amount of steps involved/energy expended. I’ve decided to start creating some brief screencasts to document some of my own approaches to these types of process enhancements, starting with Adobe Illustrator. I’m going to start with very simple procedures. I should start with my implementation of keyboard shortcuts, but that’s quite bland, so we’ll begin some actions mapped to hotkeys (just slightly less bland).

These actions are certainly not flashy. At the same time, please consider their implications. Due to the frequency with which these processes are implemented (often in sequence), their capacity for speed enhancement is great. Procedures covered are aligning, pathfinding, and mirroring.

View Alignment Screencast

1:01 / 2.4mb
The primary action, X and Y centering, is by far the most universal. The individual axis commands are quite useful, however, and mapping them as an F-key variant (shift/cmnd) allows them to be implemented quite naturally.

View Mirroring Screencast

1:42 / 4.1mb
If it’s not completely obvious, two actions are created to allow for a mirror with welded or unwelded anchors as needed. In addition to the MirrorY actions covered here, I also use a MirrorX action (mirroring across the horizontal axis). I still do the lions share of mirroring manually, using the reflect tool, as it’s commonly necessary to select an arbitrary axis.

View Pathfinding Screencast

2:32 / 6.1mb
Extremely basic, but that’s what makes them simply indispensable.

In the end it’s prudent for everyone to keep a channel of observation open to what tasks are performed with the most frequency, and to scrutinize all practical measures by which those processes can be optimized.

IdN 10th Anniversary

A 10-ton anvil of design ga-ga. IdN held nothing back with this one-we’re talking varnishes, metallics, stickers, vinyl, even an injection molded hard plastic carrying case (and a couple CDs in typical IdN fashion). The book explodes in aesthetic value, and does not let up when it comes to content. Huge variety of designers, medias- and taste aside, you’re gonna find something you like (very likely a great many). If you’re into graphic art and you buy only 1 book…

Amano

I know we’ve crossed over into the realm of fine art with this one, but I’m not much into categorizing any way-the principals of color, value and composition are relevant across all visual art disciplines. fine art, graphic art, still, or motion. That being said this book is one I turn to pretty consistently, as Amano has a control and style that seems quite unreal at times. Imaginative, highly stylized, ornate, gritty in places and polished in others. If you like the image on the cover even a little bit, the rest will not disappoint.

Sketching

Product design is rad. It’s not a field I frequent, but it’s one I would like too. This book is a candid look at the ideation approaches of a number of product design studios and internal corporate design groups. Products are all over the place, which keeps it interesting. Sketching walks through the entire creative process, and offers up some great tips along the way. A great book if you’re into that kind of stuff.

The Skillful Huntsman

is to entertainment design what Sketching is to commercial concept design. TSH documents the concept design of a Brothers Grimm by 3 Art Center students, in parallel. In a way this book picks up where Sketching left off, and walks you through the development of an entire world- characters, props, vehicles, buildings, environment. All while discussing the considerations involved in each case. Being able to see it done in parallel by multiple people is really enlightening as well. I wish they’d continue with it, releasing future installments with different artists working on different stories. Another must if you’re at all interested in product or concept design.

Other notables:
Narita Inspected (hard to find, but excellent graphic design book)
The Art of Darkwatch (game concept design process)
Los Logos (should go without mentioning)
Fusion (another IdN release, like a mini-me of 10)
FontBook (the best font reference ever, browsing online is ok but nothing beats printed samples)
StyleFile Blackbook Sessions (any of them, graf)
10×10 2 (architecture, #3 looks hot)

and some publishers to watch:
IdN
Design Studio Press
Rotovision
Phaidon

Since I’m rambling about it this is probably a good time to throw a nod to some of my favorite artists at zbc (well worth checking out if you like this stuff):
Simon Blanc, Renaud Galand, Cedric Seaut, David Giraud, Greg Callahan, Ralf Stumpf, and T.S.Whittelsbach

Click to enlarge:

Natural Media Tool Palette for Photoshop CS4

I’ve spent a considerable amount of time over the last week rebuilding some of the tools from the first NKS panel and refining the overall tool selection to be more efficient and more dynamic. I wont be having much time available to retrofit this kit anytime soon, so wanted to make sure this version was well thought out and worthy of the effort.

The tools are somewhat personalized around my workflow in the sense that I use pencils, markers, ball pens and ink quite frequently. However the selection remains wide enough that I feel many concept artists, graphic designers and product designers could utilize them effectively- in any capacity from ideation to rendering. I’ve attempted to keep the tools true to their name and real life functionality, so lead should look and act like lead, and so on. If you experience any shortcomings in their effect it’s due either to a fault of my observation or the extent to which brushes can currently be modulated in Photoshop, which is probably somewhat true of all of the tools to some degree.

I’ve made a short screencast showing the install procedure and a quick overview of the tools in action to give you a sense of their effect without committing to a download.

View NKS2 Screencast

Please note that about 50 seconds into the video (where I first start using the tools) that they’re only putting down dots. This is due to a setting at the bottom of the Tool Preset window [Current Tools Only] being checked – this needs to be unchecked for the palette to function properly. Aside from just putting down dots, you could get an error message like ‘Cannot execute the ‘Select’ command’, or other nonsense. So make sure you ‘uncheck’ that if you haven’t already.

One of the cool features of this kit, aside from centralization, is the fact that you can reset the initial state of any of these tools to better suit your personal taste. Say for instance that you like a darker lead, or would like the grease pencil to start out with a circular tip and a lighter tone. All you need to do is create a new tool preset (with your settings) and rename it identically to the existing tool preset (i.e. ‘Grease’, etc) which can all be done in Photoshops ‘Tool Preset’ palette.

Another nice feature about having tool presets triggered by actions is that you can assign hotkeys to them in the Actions Palette. For example if you primarily use markers and pencils you could set the Dull Lead to F1, Sharp Lead to Shift-F1, Lt Marker to F2.. and so on, you get the idea. I hope eventually that Photoshop will support hotkey addressing of custom actions with regular keys (non-function). I think Autodesk Maya is terrific example for Adobe to emulate in this regard.

This custom tool panel, like the first version, is only compatible with Adobe Photoshop CS4 and newer. It was created with the Adobe Configurator utility, and should be used with the most current version of Adobe Extension Manager (2.1 or newer). So make sure you get that installed before giving it a go. You can grab the newest version here.

Enjoy!

p.s. if anyone feels they’re able to improve the natural effect or feel of any one of these tools – please send me the updated preset and I’ll evaluate it for inclusion in the next version. I’m more than happy to give credit (and a high-five) to anyone who does so – however I cannot offer any monetary compensation as this is a freeware effort.

>Download NKS2

(right-click and save)

NKS2 by NKURENCE is licensed under a Creative Commons Attribution-Share Alike 3.0 United States License.

Ever since I saw the 7 Laserdeck Skate Show I’ve wanted to produce my own decks. Today, the first shipment arrived.. and I’m stoked. Each of these was laser engraved front and back with my artwork. I had 3 made for the initial run. The first is a logo design for Ochre, next one is for Terminal (the final release on Narita Records), the third is titled 2808-a design cooked up just for burning. I’ve got a number of other designs in queue for production, which can be seen in the engraving section of the gallery. Here’s some detail pics of the finals:

PLEASE NOTE! VERSION 2 IS NOW AVAILABLE HERE

I know it’s customary to write an introductory post on your blog. At the same time, there’s nothing I’d like to do more than get to some meat. That being said, please excuse my brevity.

Hello world. My name is nkurence, I’m a blog.
*fanfare*

Thank you.

Now I’m going to get down to practical blog business, ranting. I love Photoshop. I haven’t been using it since version one like some people I know, but it’s been my friend for quite a few years (yes, we hang out). My introduction was at version 2. A time which I now fondly think back to as the ‘filter years’. I was 11, and I think that’s about how many floppy disks were required for the install.

Another app I love is Painter. There’s debate between the two, but that seems somewhat unproductive- as personal preference is, well, personal – and you’re better off trying them both to decide what you like more than listening to me. More relevant, Painters biggest strength has always been it’s natural media tools.  Something about scribbling on a Wacom and having it look like pencil or ball point just gets the pendulum swinging, and taping some paper over the tablet clinches the ‘real feel’ deal. Now I’m all for supporting good tools. As a professional you just can’t skimp on them. But, if all I’m firing up Painter for is sketching (which is <5% of my workflow), is it really worth paying another license, mastery of another environment, and further fracturing of my workflow? For less than 5%.. maybe when my kids get out of school.

So for a few years now I’ve dropped the ball on Painter. Enter Photoshop CS4. I’m almost a fan boy. I know it’s a tool, but this was a killer upgrade. The canvas rotation and interactive brush resizing are cheddar (thank you) features I’ve longed to have from the Painter camp. It’s just that brush system (while I know and love it) is feeling somewhat dated and, still lacks some of the cool modulations you can achieve in Painter. Now, with enough patience and use of your observation muscles, many of these tools can be rebuilt in Photoshop. In my experience, to yield the same ease of use, they typically require more than a Brush preset though. Thankfully we have more than Brush presets, we have TOOL presets. If you’re not familiar with Tool presets, you have to dig into them – they’re extremely powerful and if you do anything repetitively with tools – they can speed your workflow big time. Tool presets store the tool and it’s associated settings.. such as nozzle shape, size, color, blending mode, opacity etc.. and are not limited to brushes – they work with any tool in the app. The only problem with tool presets is they get buried in a text list (which gets quite long). In Painter, you’ve got tricked little icons and can build your own palettes.

Now, with CS4 we get Adobe Configurator. Configurator is a Flex environment for building custom Panels (palettes) for Photoshop, it’s available at Adobe Labs. So I got to thinking.. ‘I’ve already been trying to recreate a number of basic analog tools I use, lead holder, ball point pen, gray copic.. wouldn’t it be great if I could assemble all of those into a custom panel and get some of that Painter feel back in the box’… hence the origins of NK Standard, and I’m sure, many other little beasts out there.

The process of building the panel was a little roundabout. In Configurator you don’t have the ability to call Tool presets directly- in fact it seems it’s primarily geared for building panels from the canned tools (so why not use hotkeys?). But, thankfully, you can call Actions. So for each custom tool preset there’s an action that selects it. The creation required no coding. Short of refreshing on C and jumping into the API this was the easiest (and only) way I know of implementing it. Although, I WILL eventually get into the API.

For designers, workflows are like attitudes. Everyone has their own- and their generally foundational. I don’t expect this kit to be filling in many voids out there, but some might find it useful and fun. Most importantly- it’s value is as an eye-opener at the kind of customization that can be had with a minimal development effort these days. Many of these tools were made on the fly or in short sessions, the panel itself was created in under two hours and that includes having to figure out the action workaround for selecting tools.

As it’s titled, these are the tools I use most frequently in PS. Since the creation of this panel, I’ve started using these presets for most things – either as-is or with slight modification, on everything from sketching to rendering. I’m not going to spend much time explaining these as most are somewhat self-explanatory – and what’s not expressed in the name can be quickly grasped through use.

So please, download it, tool through it, pick it apart, and use it if you suits you. Installation instructions are included in the archive. Also, please note: If  you want to modify any of the tool settings, just overwrite the particular preset (for example, if you want the brush size to be different, color, shape tip etc. by default).

If you get inspired and build out your own panels, I’d love to see them!

NK_STANDARD.zip (6.3mb)

Compatible with both Mac + Win, Photoshop CS4 or later.